Favorite Music Composers
Anthony Gilbert (composer)
British composer (1934–2023)
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Anthony Gilbert (26 July 1934 – 5 July 2023) was a British composer and academic, long associated with the Royal Northern College of Music. He also taught for extended periods as head of composition at the New South Wales State Conservatorium. His works, many of them for larger chamber ensembles, were published by Schott and University of York Music Press. Several of them were written for particular musicians, who performed and recorded them. He wrote a memoir, published in 2021.
Biography[edit]
Gilbert, who was born in London on 26 July 1934,[1] trained initially as a translator, then studied composition privately with Mátyás Seiber, piano with Denis Holloway at Trinity College, and composition with Alexander Goehr and Anthony Milner at Morley College.[2] He also studied with Gunther Schuller at Tanglewood.[1][3]
He worked for the London branch of Schott, beginning as a warehouseman and later chief editor of contemporary music, and head of production.[1] In 1970 he moved north, first as Granada Arts Fellow at Lancaster University, and then to the Royal Northern College of Music, as Tutor and later head of the school of composition and contemporary music, where he stayed until retirement in 1999.[1] He worked for extended periods as head of the composition department of the New South Wales State Conservatorium during the 1980s.[1] Amongst his students were Sally Beamish,[4] Tim Benjamin,[5] Martin Butler,[6] Simon Holt,[7] Adam Johnson,[8] Paul Newland,[9] Priti Paintal,[10] Janet Owen Thomas,[11] James Saunders[12] and Ian Vine.[13]
Gilbert was an active committee member of the Society for the Promotion of New Music, the music section of the ICA, the ISCM’s British and Sydney sections, and the new music panel of North West Arts.[1] He was a founding member and artistic director of both the New Music Forum, Manchester, and the Akanthos Ensemble at the Royal Northern College of Music.[1][14] His publishers were Schott Music, for works prior to 1994,[15] and then University of York Music Press.[16]
He began writing a memoir in 2014, focusing on the work in the months preceeding his 87th birthday; it was published as Kettle of Fish in 2021.[14][17]
Gilbert died on 5 July 2023, at age 88.[1][15] Publisher Schott noted that he “will be remembered as a kind and generous man with a remarkable work ethic who had a subtle but important influence on a large number of composers in the generation that followed him. His musical voice found a natural and instinctive balance between curious, playful and imaginative experimentalism and a luminous harmonic soundworld.”[15]
Music[edit]
Gilbert was a prolific composer from the early 1960s, writing the majority of his works for instrumental or chamber ensemble.[1][18]
He wrote about composing:
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Ultimately, for me, the only honest thing to do in composing is to write straight from the heart and guts, whilst closely involving the brain. Trying to assess what my audience would like to hear, to be “accessible”, would to me seem cheap and patronising.[9]
The Piano Sonata No. 1 was his first composition published by Schott, in 1962.[15] Early ensemble pieces include Brighton Piece and Nine or Ten Osannas (both 1967), and works especially written for The Fires of London, such as The Incredible Flute Music (1970) and Spell Respell for basset clarinet and piano (1973).[1] From the 1970s he produced a series of larger orchestral compositions such as the Symphony (1973) and Ghost and Dream Dancing (1974), which he called “in effect, a second symphony”,[1] as well as two operas: The Scene-Machine (1970, for the Staatstheater Kassel) and The Chakravaka-Bird (1977, for BBC Radio).[19] Compositions for smaller orchestra during this period included Crow-Cry (1976, written for the London Sinfonietta), and Towards Asvari for solo piano and chamber orchestra (1978, written for Peter Lawson and the Manchester Camerata).[16]
During the following decade smaller scale works were his primary focus. Moonfaring for cello and percussion (1983) has also been performed with dancers. There are a trilogy of humorous pieces based on the imaginary Chinese bestiary of Jorge Luis Borges: Quartet of Beasts (1984). Beastly Jingles (1985) and Six of the Bestiary (1985).[20] Other works from this time include Dream Carousels for wind ensemble (Gilbert’s most-performed work, written for RNCM conductor Timothy Reynish) and the orchestral song-cycle Certain Lights Reflecting. Both were inspired by writings of the Tasmanian poet Sarah Day. Igórochki, a recorder concerto written for John Turner, was completed in 1992 and there was a lyrical violin concerto, On Beholding a Rainbow (1997), recorded in 2005 with soloist Anthony Marwood.[21]
Although not noted for his interest in traditional forms, Gilbert composed four piano sonatas (the most recent in 2022) and a cycle of five string quartets spanning the years 1972 to 2009. The third quartet has been recorded by the Nossek String Quartet (1999), the Madawaska Quartet (2009) and the Bingham Quartet (2014), and the fourth by the Tavec Quartet (2009).[22] He wrote an extended essay on the British String Quartet since 1935.[23] There is also a string trio, Humdance (2007) and a string quintet, Haven of Mysteries, premiered by the Carducci String Quartet with cellist Guy Johnston at the Wigmore Hall on 14 June 2015.[24]
Works[edit]
Gilbert’s compositions include:[1][16]
Piano[edit]
- Elegy, 1961
- Piano Sonata No. 1, 1962
- Piano Sonata No. 2 (piano 4-hands), 1966
- Little Piano Pieces, 8′, 1972
- O alter Duft (withdrawn), 1984
- Funtoons: children’s pieces (MS), 8′, 1985
- Peal III (MS), 2′, 1984
- Piano Sonata No. 3 autour des palombes, 15′, 2001
- People Pieces (for beginners and on), 15′, 2005
- Passing Bells, 3′, 2006
- Do Well: 8 short pieces, 15′, 2009
- Chimes in Time, 7′, 2010
- Monsoon Toccata, 2013
- Piano Sonata No. 4, 2022
Instrumental[edit]
- Strophics for violin & piano, 1961
- Duo for violin and viola, 1963
- The Incredible Flute Music for flute and piano (Peal I), 1968
- Spell Respell for electric basset clarinet and piano, 1968
- Treatment of Silence for violin and tape, 1969
- Crow Undersongs for solo viola, 11′, 1981
- Sunrising for oboe and piano (commissioned and published by Forsyth Bros. Ltd., Manchester), 3′, 1981
- Two Birds by Kuring-Gai for horn and piano (commissioned and published by Forsyth), 6′, 1982
- Moonfaring for cello and percussion, 19′-30′, 1983
- Dawnfaring for viola and piano 15′, 1984
- Peal IV for organ (MS), 2′, 1984
- O alter Duft for piano duet (withdrawn), 1990
- Paluma for sopranino recorder and piano (arranged from movement IV of Igórochki) (MS), 4′, 1993
- Trying to make John SLOW DOWN AFTER 50 for sopranino recorder and piano (Forsyth), 1993
- Ziggurat for bass clarinet and marimba, 21′, 1994
- Stars for treble recorder and guitar (rev. 2004), 13′, 1995
- Flame Robin for sopranino recorder solo (Forsyth), 1′, 1995
- Miss Carroll her Lullabye for sopranino recorder and piano (Forsyth), 1995
- Chant-au-clair for sopranino recorder and piano (Forsyth), 1995
- Midwales Lightwhistle Automatic for sopranino recorder and piano (Forsyth), 1996
- Réflexions, Rose nord for bass clarinet and vibraphone, 5′, 1996
- Osanna for Lady O for cello and piano (rewritten 2007), 8′, 1997
- Ondine – chant au clair de lune for soprano and recorder (Aloysius Bertrand) (MS), 6′, 1998
- Os for oboe and vibraphone (revised 2002), 16′, 1999
- Margareeting for tenor or descant recorder and piano (MS), 2′, 2000
- Sinfin for vibraphone solo (also arranged for vibraphone duo), 8′, 2000
- Worldwhorls for bass clarinet solo, 8′, 2000
- Photos found at Hukvaldy, August 1928 for oboe solo, 5′, 2000
- Farings for sopranino recorder and piano (Forsyth), 15′, 2000[25]
- Kauri for solo Tuba, 11′, 2002
- Tulip Tree Dances for solo bass and treble recorders, 15′, 2003
- Rose luisante for solo freebass accordion, 9′, 2003
- Litany for clarinet and piano (Associated Board Spectrum series), 2′, 2004
- Catercorny, four pieces for clarinet and piano (contains Litany above), 6′, 2004
- Swallowtail for solo vibraphone, 2′, 2004
- Halifenu Vine Dance for organ and pre-recorded organ, 9′, 2005
- A Piece of Cake for treble recorder and piano (MS), 80″, 2006
- Jugalbandi Blues for bass clarinet solo, 60″, 2006
- Echo for solo trumpet (Cincuentas 5), 4′, 2007
- Twirlpool for flute and viola, 3′, 2008
- Gioco dei Pari for violin & viola (reworking of Duo of 1962), 10′, 2008
- Twinned Set, seven short pieces for solo bassoon (and Set 2 for bass clarinet), 18′, 2008
- Rapprochement for piano and cello, 8′, 2011
- Pilbara Park, solo guitar, 2012
- The Flame has Ceased (in memory John McCabe), 2016
- Verse for solo double bass (written for David Hayes), 2019
- Duologue – small sonata for viola & piano, 2020
Chamber music[edit]
- Serenade for 6 instruments, 1963
- Brighton Piece for 8 players, 1967
- Nine or Ten Osannas for 5 players, 1967
- O’Grady Music for clarinet, cello and toy instruments, 24′, 1971
- String Quartet No. 1 (also available in arrangement with piano), 22′, 1972
- Canticle I (Rock-Song) for wind instruments, 9′, 1973
- Canticle I (Rock-Song) version 2 for woodwind, horns, harp & piano, 9′, 1979
- Calls around Chungmori for chamber ensemble and participating audience, 15′, 1979
- Vasanta with Dancing for chamber ensemble (dancer optional), 17′, 1981
- Bendigo Match for wind band (MS), 3′, 1981
- Concert Fanfare for Strathfieldsaye for 5 brass and 2 percussion (MS), 1′, 1981
- Little Fantasy on Gold-digger Melodies for flute and string quartet (MS), 4′, 1981
- Little Dance of Barrenjoey for flute, clarinet, viola and cello (MS), 2′, 1981
- Quartet of Beasts for 3 wind instruments and piano, 13′, 1984
- Six of the Bestiary for saxophone quartet, 12′, 1985
- Fanfarings for 6 and 8 brass instruments (MS), 1′, 1986
- String Quartet No. 2 (revised 2003), 19′, 1987
- String Quartet No. 3 super hoqueto ‘David’, 7′, 1987
- Tree of Singing Names for chamber orchestra, 15′, 1989
- Fanfaring V for brass (MS), 1′, 1992
- Moon comes up, Pearl Beach (June ’79) for alto flute, vibraphone and cello (version 2, MS lost), 1′, 1995
- Dancing to the Tune for 4–8 oboes, 2–4 cors anglais, 1–2 heckelphones (MS), 4′, 1996
- Sinfin 2 for 4 vibraphones, 8′, 2000
- Unrise for ten wind instruments, 16′, 2001
- Four Seasons for Josca’s for young players (variable ensemble), 3′, 2001
- String Quartet No. 4, 23′, 2002
- Ondine (version 2, extended) for soprano, recorder, cello and harpsichord, 11′, 2003
- Palace of the Winds for 11 solo strings, 15′, 2003
- Tinos for soprano, clarinet and vibraphone (text Magdalena Mismareza), 3′, 2004
- Dark Singing, Dancing Light for bassoon and string quintet or string ensemble, 10′, 2005
- ecco Eco for flute, clarinet & vibraphone (Cincuentas 4), 50″, 2007
- HumDance for string trio, 20′, 2007
- York Surprise for flute, clarinet and bass clarinet, 8′, 2007
- Word-Chimes in the Wind for wind quintet, 18′, 2008
- String Quartet No. 5, 20′, 2009
- Hope’s Place for chamber ensemble, 18′, 2013
- Tryptych for three winds and string ensemble, 16′, 2014
- Haven of Mysteries, string quintet, 2015
- La Douceur, septet for three winds and string quartet, 2016
- Return of the St Louis, trio for oboe, clarinet in A and bassoon, 2017
Choral and vocal[edit]
- Missa Brevis for unaccompanied choir, 1965
- Assonants 1 for SATB soloists, clarinet and horn, 1965
- Three War Poems for chorus, 1966
- Shepherd Masque for young voices, 1968
- Love Poems for soprano and instrumental ensemble (2 versions), 10′, 1970
- Cantata: the man who tried to hijack an airliner, 16′ (withdrawn), 1971
- Canticle II (Anger) for 6 male voices, 6′, 1974
- Inscapes for soprano, speaking voice and small ensemble, 30′, 1975
- Long White Moonlight for soprano and electric double bass, 18′, 1980
- Chant of Cockeye Bob for children’s voices and instruments, 14′, 1981
- Victorian Round for any number of voices (MS), 1981
- Beastly Jingles for soprano and instrumental ensemble, 11′, 1984
- Certain Lights Reflecting, song-cycle for mezzo-soprano and orchestra to poems of Sarah Day, 19′, 1989
- Upstream River Rewa for storyteller and Indo-European ensemble, 29′, 1991
- Little Cycle for Elizabeth Yeoman for soprano, cello and piano (MS), 7′, 1992
- Handles to the Invisible for a cappella choir to poems of Sarah Day (rev. 2003), 15′, 1995
- ‘This Tree’ (Frances Horovitz) (No. 1 of Love Poems, 1970, arr. mezzo and piano) (Schott), 3′, 1996
- Vers de Lune for soprano, flute, cello and percussion to texts by Aloysius Bertrand (incorporating a version of Ondine – chant au clair), 17′, 1999
- Encantos, song-cycle to Spanish symbolist love poetry for soprano or mezzo, clarinet, vibraphone and guitar to texts by Magdalena Mismareza and anon.), 14′, 2004
- Ygg-drasill for soprano or mezzo, recorder, oboe, clarinet, bassoon, trumpet, three violins and cello (Cincuentas 3), 9′, 2006
- En Bateau, after Watteau for soprano, recorder, oboe, violin and cello to poems by Baudelaire and Proust), 9′, 2007
- Those Fenny Bells for treble, counter-tenor and vibraphone (to a poem by John Clare), 3′, 2008
- Lay the Lances, five songs for baritone and string orchestra, 2018
Orchestral[edit]
- Sinfonia for chamber orchestra, 1965
- Regions for two orchestras, 1966
- Peal II for big band, 1968
- Symphony (incorporates modified version of Regions), 39′, 1973
- Ghost and Dream Dancing for orchestra, 19′, 1974
- Crow-Cry for chamber orchestra, 20′, 1976
- Welkin for orchestra, 11′, 1976
- Koonapippi for youth orchestra, 6′, 1981
- Dream Carousels for wind orchestra, 13′, 1984
- Mozart Sampler with Ground for orchestra, 10′, 1991
- …into the Gyre of a Madder Dance for concert band, 7′, 1994
- Another Dream Carousel for string orchestra, 8′, 2000
- Even in flames, / the Thames/ can’t hold a candle/ to the Wandle for variable orchestra, 6′, 2000
- Sheer for string orchestra, 16′, 2003
- Dance Concerto – Groove by chants, for orchestra, 19′, 2006
- Lifelines, roundelay for orchestra, 2020
- Liaison, tone poem for medium-sized orchestra, 2021
Concertante[edit]
- Mother, for solo cello and ensemble (withdrawn), 14′, 1969
- Towards Asâvari for piano and chamber orchestra, 22′, 1978
- Igórochki, concerto for recorder, 1992
- On beholding a Rainbow, concerto for violin and orchestra, 30′, 1997
- A Melding, concerto for Bb clarinet and chamber ensemble, 2019
Opera[edit]
- The Scene-Machine, one-act opera to a libretto by George MacBeth, 50′, 1970
- The Chakravaka-Bird, radio opera to a libretto translated from Indian sources by A. K. Ramanujan, Daniel H. H. Ingalls and A. Gilbert, 77′, 1977
Arrangements[edit]
- Guillaume de Machaut: Ma fin est mon commencement, arr. for recorder ensemble with tambour (MS), 4′, 1981
- Arthur Benjamin: Two Jamaican Street Songs, arr. for piano four-hand (Boosey), 1990
- Mátyás Seiber: Burlesque from Pastorale & Burlesque, arr. for recorder and piano; or for recorder and string trio (Schott), 2005
References[edit]
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Further reading[edit]
- Connolly, Justin. 1968. “Cornelius Cardew’s The Great Digest and Anthony Gilbert’s Missa brevis”. Tempo 86:16–17.
- Henderson, R. 1971–72. “Anthony Gilbert”. Music and Musicians 20, no. 7:42–49.
- Hopkins, G.W. 1968. “Anthony Gilbert”. Musical Times 109:907–10.
- Jarman, Douglas. 2004. “The Music of Anthony Gilbert”, 2 parts. Tempo 58, no. 229 (July): 2–17; 58, no. 230 (October): 38–49.
- Kennedy, Michael (2006), The Oxford Dictionary of Music, 985 pages, ISBN 0-19-861459-4
- Walsh, Stephen. 1972. “Time Off and The Scene Machine”. Musical Times 113:137–39.
- Williams, Nicholas. 2001. “Gilbert, Anthony”. The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
External links[edit]
- Official website
- Anthony Gilbert introduces his work Nine or Ten Osannas
- Anthony Gilbert discography at Discogs
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